Thursday, August 30, 2007
Found Film Ilford FP4 Chemistry class 1980'S??
Saturday, August 18, 2007
more from the fringe
I have posted a number of my pictures from the Fringe on Flickr the link is here.. http://www.flickr.com/photos/10239287@N06/sets/72157600886304431/
Friday, August 17, 2007
Edinburgh Fringe 2007
Some shots from this years fringe festival in Edinburgh. These shots were taken on Monday and Wednesday of the first week.
There are more photos on my Flickr page you can find it here http://www.flickr.com/photos/10239287@N06/sets/72157600886304431/
Nikon FM3a Nikon 35-105 zoom. Film frist 2 frames Agfa APX25 other 2 frames Kodax
Tri-X Dev: Agfa Rodinal 1:50 10mins for APX25 Tri-X Dev X-tol Stock 7:15
Monday, August 13, 2007
Edinburgh Fringe 2007 Pentax 6X7
Thursday, August 02, 2007
Skegness 29/07/07
A nice sunny day in Skegness last Sunday it was a bit windy but you cant beat a sea breeze.
As always with my Skegness photographs high contrast and lots of grain, I achieve this with a Red or yellow filter and develop my Tri-X in 1:25 Rodinal
Nikon FE 50mm/f1.8 Nikkor & 28mm/f3.5 Nikkor +red25 filter. Film. Kodak Tri-X pan@320asa Dev. Agfa Rodinal 1:25 7mins
Saturday, July 28, 2007
Boston Marina 27/03/07
Monday, July 23, 2007
Found Film. 616 KODAK VERICHROME PAN
I bought a Kodak folder a while ago, It had a part exposed roll of
Saturday, July 21, 2007
A rather wet Horncastle 21/07/07
Very high water levels today in Horncastle. Many doors are sandbagged up.
Sunday, July 15, 2007
Horncastle Antique & Curiosity Shops 14/07/07
This series of photographs are shot on fast B&W films. This set of photographs are shot on HP5+ uprated to 800 the lost souls are shot on Neopan 1600. Both are developed in Kodak X-tol. I find this developer very useful for low light shots, I get very good emulsion speed fine grain and good sharpness. Neopan 1600 is a film I have only ever used once before, I developed it in Rodinal it was really grainy but great tones. It really works well in X-tol, I shall use it more for low light shots. The only downside is that it is quite expensive. I bulk load most of my film which keeps my film costs very low. The HP5 is outdated but has been well stored its shooting well even at 800 asa it only cost $15 for 100ft.
Nikon FM. 18mm/f3.5 &35/f2.8 Nikkor. Film Ilford HP5+ @800 asa Dev. Kodak X-tol. Stock
Friday, July 13, 2007
Found film. The story so far... HP3 200 & AGFA Isopan I.S.S.
A quick search on the Internet revealed...
This may be the photographer???
As the camera angle is low and the subject has that pensive when is the self timer going to go off look on his face. Indicating to me that the camera is sat on a box and has been pre-focused by the person in the photograph?
Focusing on the camera that took these photographs, When I got the un-exposed films and the two sets of negatives, and had developed the films, it was obvious that the camera had serious film transport problems.
The rolls of film I developed were partially exposed, the frame spacing was all over the place toward the middle of the roll merging into the last frame being a multiple exposure, the remaining unexposed film was all wrinkled up. I think the problem is that the photographer was unfamiliar with his camera and was not loading the film correctly. the film was being wound out the spool by the camera but it was not winding on to the take up spool.
This sort of thing could easily happen with a Contax rangefinder the contax also has a self timer.
The quality of the photographs also suggests Zeiss optics and the first set of negatives is from a roll of Agfa Isopan I.S.S the empty cassette was also in with the films and was printed entirely in German, The photographer may have done a tour in West Germany and got a very good deal on a S/H Contax RF??? and been given a roll of Agfa B&W film.
Next stop Cyprus and some Rolls of Ilford HP3 from the Naffy happily snapping away during his tour in Cyprus, when he gets back home to Blighty he takes his rolls of exposed film for processing and gets a nasty surprise, only two rolls of film have come out OK, The lab has developed one of the rolls of film and found problems, rather than waste money on processing the remaining films he pays for his prints and the unexposed rolls of film are returned by the lab. When he gets home the problem camera and the rolls of film are put in a draw and remain there for 58 years?
Here we are out on patrol in Cyprus.
This photograph has been taken on early on in the campaign. Because later on the Land rovers were modified with a steel pole being mounted onto the front of the bumper to protect the occupants of the Land rover from wires strung across the roads at night by forces hostile to the British forces. Note the front mounted Bren gun
Series 1 Land rovers were not built for comfort.
They don't make them like this anymore...
Some unknown faces, The person here is sitting in the rear of the Land rover in the earler shot.
And Here he is again in the back of a vehicle sporting a tash!
Its a really super Photograph
And finally a group shot this could be another shot using the self timer?
If you recognise anyone get in touch I can email hi rez scans from the negatives if you wish. The e-mail link in in my profile on this photo-blog.
Thursday, July 12, 2007
Found Film Ilford HP3 -200 Weston
With care full development you can often get some interesting pictures.
Your chances of getting an image from a found film depends allot on how the film has been stored since it was exposed.
The type of film can make a big difference to. Fast (sensitive) films tend to degrade faster due to there sensitivity. Slow films tend to yield the best results due to there lesser sensitivity.
The action of time and temperature and solar radiation will cause the film to fog over time. if the fogging is bad you will not be able to see the image, it will be lost in the fog.
With the use of a film developer that keeps fog levels down during development whilst developing the latent image you can get surprisingly good results.
From what I have read in some forums on the Web, Agfa Rodinal, Ilford Microphen and Kodak HC110 are good for this sort of work due to there good anti fogging properties and abilities to pull out the latent image from the film.
Two weeks ago I found on Ebay some exposed rolls of Ilford HP3 200 (Weston) and some Ilford FP3. These films had come from a deceased estate.
When the films arrived in there original metal Ilford cans there was also to my surprise 2 sets of Negatives one is a roll of Agfa Isopan I.S.S and the other is a roll of HP3
A quick look on the web told me that Ilford HP3 200 was on the go from the early 50 to the early 60, it was upgraded to HP3 400. Going on the type of film that I had to develop and the clothing and vehicles in the negatives I got I would say the film was exposed in the early to mid 50's
I clip tested the First roll or film in Kodak X-Tol because thats what I had mixed up, and this is a good dev for fast films. The clip test revealed very little fog in the rolls of HP3 but lots of fog in the FP3, the FP3 cassette looked like it had been opened.
I have a data sheet for these films and came up with a time of 10 minutes for the HP3 in stock X-tol and 8 mins for the FP3
The Fp3 was toatally fogged the other rolls of HP3 yielded some quite good negatives.
The image above is scanned from one of the rolls of HP3 developed in X-Tol
I am not sure where the photograph has been taken it may be Paris? or Occupied Germany?
This shot is from the second roll of HP3 and is rather good considering it was taken so long ago and only developed 2 weeks ago.
And finally this is a scan from one of sets of negatives that was in a film can that came with the films, a real bonus.
More to follow later.
Thursday, July 05, 2007
No party in the park for 2007 ??
Tuesday, July 03, 2007
Agfapan Heaven (well almost!)
To some this may be Agfapan heaven to others its a load of B&W film in a box.
It really would be heaven if the 100 rolls of 120 Agfapan 400 was Agfapan 25 or 100. But the 400 is a very fine B&W, it has wonderful tones and really nice grain and is very sharp. I have found Agfapan 400 develops well in Aculux 2 and Rodinal special (for fine grain and good sharpness) If you want grain and good sharpness rate it at 200-320 asa and develop in Rodinal 1:50
Agfa B&W films are hugly underrated films and unfortunately are no longer manufacture after the Liquidation of Agfa Photo.
There is allot of 35mm Agfapan for sale with long self life. If you shoot B&W try this film and if you like it fill up your freezer with Agfapan 100.
Last week on ebay I saw 6 rolls of Agfapan 100 in 120 format go for £26. I got my 100 rolls of Agfapan form a Pro-photographer who had gone digital, the film in the photo has been frozen from new and has lost no emulsion speed and has no base fog.
Still puzzled about this film give it a go or look up Agfapan on Google.
http://www.pbase.com/cameras/agfa/apx_400 some photo samples form pbase
Voigtlander Brillant. Tattershall
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I took this shot in Tattershall when I was running a roll of film through another Voightlander Brillant I have bought. It has the 75mm Skopar lens. After getting the compur shutter going with a few drops of lighter fluid and a tiny amount of oil, and cleaning the lens elements it looks to be a good shooter.
Voigtlander Brillant. Film Fuji Neopan Acros. Dev kodak D76